Current Abstract Art Project:
Original Multiples

This series of abstract paintings explores what differentiates an original work of art from a reproduction. In an integration of graphics and fine art, each painting is designed online with digital tools. To ensure consistency and accuracy, a prototype is then painted on canvas. This is followed by the production of what can be up to three virtually identical paintings. The limited editions of hand-painted works challenge conventional notions of uniqueness. Between the online digital image, the prototype and the first edition, it’s questionable which is truly the original.

Through specifically nuanced colors and carefully positioned geometric forms, the paintings in “Original Multiples” ― with their uncertainty of depth, dimension and perspective ― are designed to invite contemplation and interpretation of symbolic resonance and shifting visual hierarchies.

Current Abstract Art Project:
Perspective and Perception

These paintings, expanding upon the “Spontaneous Deliberation” series (see below), introduce a new tension that hovers between abstraction and representation. Dimension and perspective are intentionally ambiguous, as are titles for newer works. This creates space for multiple interpretations. 

Abstract Art Project:
Spontaneous Deliberation; Three Sets of Works on Paper

When I began this series, I had no clear vision for what I wanted to create—only a desire to move things along more quickly. I established specific parameters—such as consistent size, surface, and a simplified palette—to both guide and expedite the process. What emerged was a deliberate shift from my earlier abstract work toward an interplay between structure and spontaneity.

Certain gestural brushstrokes, along with geometric framing, became part of my visual vocabulary. Embracing the graphic quality of these works, I developed painting sets in red, green and blue (referencing the RGB color model) to reinforce the association.

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Earlier Abstract Paintings