Original Multiples

Original Multiples investigates originality by examining how a single design can exist as more than one painted work. Repetition functions as a deliberate strategy, not reproduction. The series questions the stability of the “original” in a system built on repetition. Each composition is developed digitally, tested through a small, hand-painted prototype, and scaled into larger hand-painted works. Custom systems guide both design and execution, combining digital planning, measured translation, and recorded color formulas to maintain precision and continuity. Shifting visual hierarchies cause areas in the work to advance or recede, creating a coexistence of flatness and depth.

Perspective and Perception

Perspective and Perception complements Original Multiples by applying systems-based thinking to a process where both structure and image emerge through painting. While digital tools are used to experiment with color and form, the work develops directly on canvas rather than from a fixed composition. Concentric circles, grids, and geometric forms anchor gestural marks, creating order, space, and depth.

Each work moves between abstraction and suggestion without settling into a fixed subject. Images that resist a single reading create ambiguity that becomes a space for exploring identity and perception.

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Supporting Work